The is a legendary "unreleased" re-recording of the band's 1977 sophomore album, aimed at capturing the raw power and grit of their live shows that was famously missing from the original Tom Werman production. Core Sound & Performance
This session was never officially released by a major label—a true holy grail for power-pop fanatics. 📦 Shipping & Payment Fast, tracked shipping worldwide ✈️ Secure packaging to ensure no cracked jewel cases 🛡️ DM for pricing and bundle deals! cheap trick in color steve albini sessions 1998 cd flac new
The band recorded these tracks with legendary engineer Steve Albini to reclaim the "power" they felt was missing from Tom Werman's "shiny" original production. Production Style Cheap Trick: In Color (The Steve Albini Sessions)
In , Cheap Trick — already a decade past their commercial peak but still a cult power-pop force — went into Steve Albini’s Chicago studio, Electrical Audio , to record a batch of songs. Albini, famous for his raw, unvarnished production (Nirvana’s In Utero , Pixies’ Surfer Rosa ), captured the band live, likely with minimal overdubs. The sessions yielded tracks like “In Color” (a nod to their 1977 album of the same name) and other hard-rocking deep cuts. famous for his raw
You are almost certainly looking for the (often called "Cheap Trick '97" or "The Red Ant Album").
This is the legendary, unreleased 1998 re-recording of their classic 1977 album. Frustrated with the "polite" production of the original, the band tapped Steve Albini to capture their raw, live power. It’s louder, grittier, and exactly how these songs were meant to be heard. 🔍 Item Details CD (High-Quality FLAC Rip included) Condition: Brand New / Mint Year Recorded: 1998 Producer: Steve Albini (Nirvana, Pixies) 🎸 Why This Version?
The 1998 Steve Albini sessions of Cheap Trick’s In Color are less a replacement than a companion: an alternate ear to a classic record that highlights the band’s raw power and songwriting craft. It’s a reminder that great songs can survive — and in some ways thrive — under very different sonic treatments, and that revisiting familiar material with a bold production choice can open fresh ways to hear music we thought we already knew.