There are love stories that sweep you off your feet, and then there are love stories that sit heavy on your chest. Sébastien Lifshitz’s 2010 film, Come Undone ( Presque Rien ), firmly belongs in the latter category.
Visually, the is a study in contrasts. Cinematographer Céline Bozon uses handheld cameras to create intimacy, often placing the viewer just inches from the actors’ faces. The color palette shifts from the washed-out beige of Mathieu’s hometown to the blinding gold of the southern coast, mirroring the characters’ emotional shifts. Come Undone Movie 2010
The story follows (Alba Rohrwacher), an accountant living a comfortable but uninspired life with her steady partner, Alessio (Giuseppe Battiston). Her world is turned upside down when she meets Domenico (Pierfrancesco Favino), a married man with two children. Come Undone Movie 2010: A Gripping Drama of
A: It features same-sex attraction and fluid sexuality, but the film resists simple labels. It is a drama about human desire, not a “gay film” per se. Her world is turned upside down when she