The title " Female War: I Am Pottery " (also known as Yeoja Jeonjaeng: Bongcheon-dong hyeolyu ) refers to one of the stories in the Female War omnibus series released in South Korea in The story follows Haedanghwa
The ground in front of the tank shuddered. Then, it collapsed. The earth turned into a slurry of mud and quicksand, a phenomenon known as liquefaction. The massive transport groaned as it tipped forward, its tracks spinning uselessly as it was swallowed by the earth.
Traditional war memorials are vertical (obelisks, rifles). This work is horizontal, open, hollow. It does not point to the sky but cradles the ground. It is a container of testimony—what Claudia Rankine calls “the condition of black life being held in the hold.” The pot holds not glory but groans.
"We don't have a minute. The 4th Battalion is flanking. We need the barrier."