This is an excellent request, as Hooverphonic’s discography is one of the most fascinating, uneven, and ultimately rewarding in the trip-hop/dream-pop canon. A "better" discography paper requires a clear thesis. The common narrative is that Hooverphonic was great with singer Liesje Sadonius (1997-1998), became great with Geike Arnaert (2000-2008), and then declined with Noémie Wolfs (2010-2015) before a commercial (but not artistic) resurgence with Luka Cruysberghs (2018-2020) and then a final, odd stability with Arnaert’s return (2020-present).