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For the majority of media history, the relationship between creator, artifact, and audience was defined by finality. When Michelangelo finished the Pietà , he signed it across Mary’s sash. When The Wizard of Oz premiered in 1939, the print that ran in theaters was chemically fixed. The audience consumed what the artist—or the studio—deemed finished. legalporno240624vivianlolagio2808xxx108 patched

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