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This paper explores how popular cinema functions as a key apparatus for constructing, disseminating, and sometimes subverting national identities. Coining the term "Movie Nation" to describe the imagined community formed through shared film consumption, the analysis draws on Benedict Anderson's theory of imagined communities, Anthony Smith's ethno-symbolism, and case studies from Indian Bollywood, Nigerian Nollywood, and French cinema. Findings indicate that movies serve as both mirrors and molds of national consciousness, particularly during periods of political transition or globalization. moviesnation.cite
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